
- Floating the building above the natural ground level.(Contemporist, 2009)
- Between two mature Eucalyptus.
- Shopfront, showcasing works.
- Variety of facades.
- Lightness.
- Transparency.
- Glass juxtaposed with aluminum.
- 'solidarity of it's form is punctured by glass slots'.(Bark Design, 2010)
- 'Clear, honest expression of materials and a clear legibility of structure'.(Contemporist, 2009)
- Mezzanine = to ventilate working space +cropped views framed.
- Works around the two Eucalyptus root systems.
- landscape integration.
- Plywood facade give protection from the western sun and the road.
- Maximized cross ventilation.
- Framing view of the coastline.
- Operable blinds.
- Opening, and sealed glazing.
- Public/private space (work/home, street/client).
- Alternate to the urban office. ((Contemporist, 2009)
- Studio and workplace in one.
- Flexible spaces (5-6 design team, or just 2).
- 'simplicity and flexibility'.(Contemporist, 2009)
- Plywood box to road - provides privacy.
- 'Mezzanine serves as a retreat'. (Bark Design, 2009)
- 72m square internal.(Atkins & Guthrie, 2006)
- 28m square external.(Atkins & Guthrie, 2006)
Balaam Residence:

- Built upwards in layers. (RAIA, 2007)
- Limited materials play multiple roles = thematic unity. (RAIA,2007)
- Riverside.
- East wall spine.
- 'A picture window into a counter-levered, bright red swimming pool'.(Arkhefield, 2007)
- Defined spaces = comfort, knowing where everything belongs/takes place.
- Layering allows response to views, privacy, sun... (Specifier, 2010)
- 'Simplify the use of the house through use of technology, rather than complicate it.'(Australian Institute of Architects, 2007)
- Hugs east and south to allow for preferable western garden.
- Western garden for children = light after school.
- Private house built in a public realm.(Specified, 2010)
- Orientations and view to suit privacy.
- Swimming pool is the centre for life in the house.
- Stacked children's rooms. (RAIA, 2007)
- Living/ shared spaces all on one floor.
- Built to allow for a growing family. (Lariviere, 2010)
- Different areas = different materials.
- Indoor/outdoor.
- Separation. (Parents rooms - north. Children's - south).
- 'highly permeable from the inside out, but highly protected from the outside in.' (Thomson, 2007)

- Makes games of the stairs.
- Inter-connection between indoor/outdoor.
- Influences from Esher and Piranesi as a child. As a result - like living in an artwork.(Pearson, 2006, p. 2)
- Suspense. It only reveals itself a little at a time.
- Different experiences eg. occupation of the roof.
- Small number of materials = unity.
- 'The choice of exposed concrete creates an idea like that of massive stones appearing naturally on the site.'(Yoshida(Ed.), 2006, 12)
- Limits the internal natural sunlight - Therefore it is more interesting/ delightful when it is there.
- From the street you can only see a concrete platform. It is withdrawn from the streetscape/ neighborhood - created own little world.
- Does not filter out gradient, but does make it accessible.
- Frames views, decides what can/ can't be seen.
- Partially buried = thermal advantage.
- (Pedestrian pathway).
- The house as 'a pedestrian link between the upper and lower levels that border this lot'.(Yoshida(Ed.), 2006, 12)
- Inside/outside living - When portugal is in it's wet season this must effect the activity more than it might in a regular house.
- Personal space. ie. The bedrooms are small, whilst the shared living areas are larger - possibly promotes family activity.
- Modules: The whole house is separate from itself, being broken by either levels or stairs. It would be quite easy to find alone time.
Arkhefield. (2007) Balaam. Retrieved March 3, 2010, from http://arkhefield.com.au/pdf.php?id=109&table=projects&field=pdf
Atkins, L., & Guthrie, S. (2006). Bark Design: studio house, Sunshine coast, Queensland, Australia. Ume. (20), 2-7.
Australian Institute of Architects. (2007) Balaam Residence: In the Architects Words. Retrieved March 2, 2010, from http://www.architecture.com.au/awards_search?option=showaward&entryno=2007040378
Bark Design. (2010). Bark Studio. Retrieved March 3, 2010, from http://www.barkdesign.com.au/
Contemporist. (2009). The studio of Bark Design. Retrieved March 3, 2010, from http://www.contemporist.com/2009/10/24/the-studio-of-bark-design-architects/
Lariviere, M. (2010). Vue comme une ouevre d'art. Prestige Design Magazine, 7(2), Retrieved March 2, 2010 from http://www.arkhefield.com.au/pdf.php?id=000011&table=news&field=pdf
RAIA. (2007). RAIA Brisbane Regional Comendations: Residential Architecture - houses. Retrieved March 3, 2010, from http://www.architecture.com.au/i-cms_file?page=9148%2FBrisbane_Citations.pdf
Specifier. (2010). Balaam Residence. Retrieved March 2, 2010, from http://www.specifier.com.au/projects/residential/34917/Balaam-Residence.html
Thomson, S. (2007). Learning Curves. Houses [Interview], (58), 107-118. Retrieved from Australian/New Zealand Reference Centre Database.

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